#Splice 2 dren legacy skin

She's an iconic creation imbued with life, thanks to the physical presence of actress Delphine Chanéac, who moves with animalistic fluidity and aggression, yet maintains a painful vulnerability that makes her strangely sympathetic.

#Splice 2 dren legacy skin

As she begins to grow up, Dren's facial characteristics take on the form of someone out of a Chris Cunningham music video – eyes spread eerily apart, skin flawless and deathly pale. Dren's rapid evolution is rendered with the same kind of clever real-world physics and interactivity that made District 9 such a delight to simply watch the sets are rigged in such a way that, as she races around in her early animalistic form, things are sent flying and the world reacts to her presence. Certainly Splice's biggest draw is the effects work. When the couple eventually bond with Dren, the emotional heart of the film emerges – but it's sadly short-lived. It's actually a nice point of relation for the audience to watch this young couple become so involved with recreating life in a lab that they neglect the desire to create their own natural offspring. The chemistry between Clive and Elsa, particularly in the first (superior) half of the story, is warm and natural the last half of the film eventually slides into a warped parable on relationships and the implications of parenthood. More Splice News & Previews Director Vincenzo Natali, who also helmed cult sci-fi classic ' Cube', once again displays his knack for black humour and creating believable relationships in awkward situations. That's the single biggest problem with Splice, which sets itself up as a cool, clinical, 'hipper-than-thou' story, but devolves into overplayed silliness. Just about every nasty taboo is crossed off the list by the end of the film – and, sadly, so is every major horror cliché.

The plucky Polly begins to feel the maternal instincts kick in, and as Dren begins to develop into a young lady, Splice starts to go off the rails – in writing and context. 'Dren' – the product of this genetic tampering, starts life off as a bipedal critter that gives the audience plenty to giggle at. However, this being a horror film, things go awry. As two project leads working out of a genetic research and manipulation facility, they stumble on the perfect formula to create original organic life forms. Most recently spotted in the thick alien jungles of Predators – another schlock sci-fi flick, jam-packed with homage moments (mostly to its predecessors), Adrien Brody plays a far-too-fashionable geneticist, Clive, working alongside his edgy lover, Elsa, played by the underrated Sarah Polley.